Tag Archive for Dimitri Pittas

Oct. 17 Met simulcast: Otello

Aleksandrs Antonenko as Otello and Sonya Yoncheva as Desdemona in the Met production of Verdi's "Otello" (phpto: Ken Howard)

The Met delivers a colorblind ‘Otello’ whose Moor is as white as Desdemona 



Should dramatic integrity in Shakespeare be compromised in the name of “political correctness?”



By David Abrams

Opera audiences have long grown accustomed to colorblindness in the casting of principal roles, content to sacrifice some degree of dramatic credibility in order to experience a diversity of singing actors…

June 30 SF Opera: Two Women

Anna Caterina Antonacci (Cesira) with the Allied troops in the San Francisco Opera production of "Two Women" (photo: Cory Weaver)

‘Two Women’ a powerful story full of operatic potential — and music that doesn’t quite match

Marco Tutino’s accessible musical score, steeped in pleasant tunes and harmonies, is largely too tame to confront the violence and grittiness of the story

By James Sohre
Contributing writer

With an intentional nod to verismo opera, its lush melodies and orchestral effects, San Francisco Opera successfully presented the world premiere of composer Marco Tutino’s Two Women…